Adapting Roscoe Mitchell's large work "Distant Radio Transmission" for the 2022 Fault Zone Festival in a large ensemble conducted by Steed Cowart, along with four other compositions performed in varying configurations from very large ensemble, two pieces from the Space Trio of Mitchell, Thomas Buckner & Scott Robinson, and a duo with pianist Sarah Cahill and violinist Kate Stenberg.

Using his own percussion array, particularly bells and ringing objects, and a variety of woodwinds focused around the saxophone family, AACM legend Roscoe Mitchell recorded these 19 compositions at his home studio during the pandemic lockdowns, creating fascinatingly introspective, atmospheric and resonant environments over which he distinctively overdubs his saxophone.

"Distant Radio Transmission" was originally recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013, then transcribed by Stephen P. Harvey in 2016, extended for strings by John Ivers in 2017, and then fully orchestrated by Roscoe Mitchell himself in 2017; the album also includes "Noonah Trio", "Cutouts for Woodwind Quintet" and "8/8/88".

"Distant Radio Transmission" was originally recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013, then transcribed by Stephen P. Harvey in 2016, extended for strings by John Ivers in 2017, and then fully orchestrated by Roscoe Mitchell himself in 2017; the album also includes "Noonah Trio", "Cutouts for Woodwind Quintet" and "8/8/88".

Roscoe Mitchell's 25 Piece Orchestra returns with an outstanding follow-up to his 2017 release "Discussions", recorded in concert at the Littlefield Auditorium in Mills College, reworking earlier pieces that take advantages of Mitchell's systems designed to articulate and capitalize on the tensions between composition and improvisation; an impressive achievement.

Roscoe Mitchell 25 Piece Orchestra returns with an outstanding follow-up to his 2017 release "Discussions", recorded in concert at the Littlefield Auditorium in Mills College, reworking earlier pieces that take advantages of Mitchell's systems designed to articulate and capitalize on the tensions between composition and improvisation; an impressive achievement.